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“GZERO World with Ian Bremmer” season 5 highlights
“GZERO World with Ian Bremmer,” our weekly global affairs program, is now in its fifth season on US public television. Over the past five years, the program has brought you interviews with heads of state, newsmakers, and leaders of industry. Our mission is to help you make sense of the world and the people and events shaping politics today, and there’s no better place to do that than on public television. For two decades, PBS has been named the most trusted brand in US television.
Here are some highlights from recent interviews, stories from the field, and, of course, Puppet Regime. Be sure to check out Ian’s interview with Utah Sen. Mitt Romney, which begins airing this Friday, Feb. 3, all over the US. Check your local listings for our program schedule.
A world in need of music therapy: Renée Fleming at Davos
You never know who you're going to meet wandering around in Davos, including opera legend Renée Fleming, who was honored this week by the Forum.
The four-time Grammy-winning Soprano, who has performed on six continents, was presented in Davos with the prestigious Crystal Award—not for her singing, but for the voice she's lending to help people understand how music impacts the human brain.
"What I've seen firsthand has really convinced me of the effects of art therapies on disorders relating to aging. So, Alzheimer's and dementia, as well as Parkinson's, other movement disorders, brain trauma, or anyone who's had a horrible accident."
Fleming spoke to GZERO’s Tony Maciulis on the ground at the World Economic Forum about her passion project, Music and the Mind. She also weighed in on a sticky geopolitical issue: Russian artists who have been banned from Western concert halls over their comments (or lack therof) regarding Russia’s illegal invasion of Ukraine.
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Should Russians be blacklisted?
What's Vladimir Putin’s war on Ukraine got to do with art? With sports? With work?
For almost a year now, prominent Russian artists and athletes have been banned from plying their trades internationally as part of the global response to Putin’s invasion. Within days of the outbreak of war, Russian national delegations were clipped from events ranging from the FIFA World Cup and the Olympic Games to the Eurovision Song Contest and the Cannes Film Festival.
At the same time, prominent Russian artists, such as Metropolitan Opera star soprano Anna Netrebko or Berlin Philharmonic conductor Valery Gergiev, lost their jobs after declining to explicitly distance themselves from Putin. The Bolshoi ballet, meanwhile, was bounced from a summer gig at the Royal Opera House in London.
Even the dead weren’t spared. Nutcracker composer Tchaikovsky was canceled in Cardiff, while avant-gardists, including Malevich and Kandinsky, were axed in Amsterdam.
With the war about to enter its second year, many of these bans remain in place.
“Everyone is on the side of supporting Ukraine,” said legendary soprano Renée Fleming, who shared her thoughts with GZERO during the Davos World Economic Forum. But at the same time Fleming recognized the costs for Russian artists who have lost opportunities.
“I feel sympathetic towards many of them,” she said, “because they have families at home. I do think it's been a sad thing, and certainly young Russian artists who've been caught in the crosshairs, who happened to already be studying in the US or who are already playing. We hope to keep supporting them and making sure that everybody gets a chance.”
(Check out our full, wide-ranging interview with Fleming here.)
So, should Russian artists and athletes continue to pay the price for Putin’s war? While banning official delegations of the Russian government seems fair enough, the murkier question is whether individual Russian performers and athletes should be held responsible as well.
The argument in favor says: Yes, it’s a moral duty to oppose destructive and unprovoked wars like this, even more so when they’re waged by people who govern in our names. This is as true of a singer or skater as it is of a plumber or a programmer, and people with larger platforms have an even greater moral obligation to use them for good. As prominent Russian-German pianist Igor Levit put it in an Instagram post early in the war: “Being a musician does not free you from being a citizen, from taking responsibility, from being a grown-up.”
The argument against says: No, forcing Russian passport-holders to take political positions as a condition of employment is a curiously undemocratic way to show support for Ukraine. After all, Russia has created its own blacklists of anti-war performers – do we really want to mirror that? What’s more, in a regime like Putin’s, where prominent dissidents can be jailed or worse, openly opposing the war or criticizing Putin might carry a high price not only for artists and athletes themselves, but for their families at home in Russia.
The standards aren’t consistent, of course. Wimbledon banned Russian tennis players altogether. The US and Australian Opens, meanwhile, permitted them to play if they arrived under a “neutral flag.” The Met in New York cut ties with Anna Netrebko despite her condemnation of the war (they said she had to “truly and completely disassociate herself from Putin over the long-term” in order to get her job back), but she’s still booked solid in Vienna, Milan, and Hong Kong. NHL superstar Alexander Ovechkin, meanwhile, continues to chase the all-time record for goals with the Washington Capitals, while using a photo of himself with Putin as his Instagram profile pic.
In sum, as always, it’s complicated: What do you think? Let us know here. We’ll gladly reprint a few of the best answers — please be sure to include your name as you’d like it to appear, and where you’re writing from.
Opera legend Renée Fleming on how Russia's war in Ukraine has impacted classical music
Should Russian artists be blamed for Vladimir Putin’s war in Ukraine? In the weeks following the invasion, big stars like Metropolitan Opera star soprano Anna Netrebko or Berlin Philharmonic Orchestra director Valery Gergiev lost their jobs after refusing to condemn Putin.
"I think everyone is on the side of supporting Ukraine. Everyone. I mean, bar none," legendary soprano Renée Fleming tells GZERO on the sidelines of the 2023 World Economic Forum in Davos, Switzerland, where she received one of this year's coveted Crystal Awards.
Still, Fleming feels sympathetic toward the many Russian artists who've been dropped by employers and audiences. The same goes for those who have been caught in the cross hairs because they were already studying or touring in the US.
The soprano hopes that we keep supporting them because the war will eventually end. But until that happens, she adds, "everyone's support, for the moment, is 100% with Ukraine."
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