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"Golda" looks back at Israel's controversial former PM
It’s hard to imagine today, but for a tense few hours in 1973, it looked like the country of Israel might cease to exist. Half a century later, Israeli-American filmmaker Guy Nattiv has made a new film about Israel's prime minister at the time, Golda Meir, and those fateful few days during the Yom Kippur War. He speaks with GZERO World's Alex Kliment about why he wanted to reframe the former PM's story, who is played by Helen Mirren.
In October 1973, as most Israeli Jews were resting or fasting for the holiest Jewish holiday of Yom Kippur, Egypt, and Syria launched a joint invasion from the South and North, nearly overpowering Israel’s badly unprepared defense forces. The war quickly became a proxy conflict between the US and the Soviet Union.
Meir was the country’s first and still only female leader. Meir took charge over a staff of bickering advisers and commanders and managed to turn the tide, saving Israel from destruction and even laying the groundwork for an eventual peace with Egypt.
But the shock of those days remained. The damage was done. Just six months later, after an official inquiry into her conduct of the war, Meir resigned in disgrace. But what really happened, and who was to blame? The film offers a new perspective on this period of Israel's history and the woman at the center of it.
Watch the GZERO World episode: Modern antisemitism on the rise
And watch GZERO World with Ian Bremmer every week at gzeromedia.com/gzeroworld or on US public television. Check local listings.
Governing AI Before It’s Too Late
The explosion of generative AI we’ve seen since November 2022 has been a game changer in both technology and politics, capable of bringing enormous growth and productivity but also the potential for great peril. How can AI be regulated and governed before it’s too late? That’s the topic of a new collaboration between our own Ian Bremmer, founder and president of Eurasia Group and GZERO Media, and Mustafa Suleyman, CEO and co-founder of Inflection AI.
Together they penned an article for the September issue of Foreign Affairs magazine which details a plan to create a global framework around fast-moving and evolving technologies. The two describe the need for 5 basic principles of governance, and new global organizations that can monitor and mitigate risk without stifling growth.
In this special report for GZERO Media, Bremmer and Suleyman join GZERO’s publisher Evan Solomon to take a deep and critical look at where AI is today, where it is going, and how to prevent it from becoming ungovernable.
What Eurovision means to Ukrainians at war
Where else will you find banana-inspired wolves, dubstep rapping astronauts, or earworms about vampires? It’s Eurovision, of course: the 70-year-old song contest that pits nations against each other in an annual spectacle of camp, kitsch, and catchy melodies.
But for Ukrainians – who have won the contest three times in the past 20 years – the contest is about something much more.
On GZERO Reports, we visit a secret Eurovision watch party outside of Kyiv, a drag party in New York City, and look at how Eurovision is more political than you – or those wolves, astronauts, and vampires – could imagine.
For the uninitiated, the colorful annual Eurovision Song Contest pits countries against each other in a spectacle of camp, kitsch, and catchy pop music. It’s like the Olympics meets American Idol meets Burning Man. Each country submits an original song, and the winner is chosen through a combination of audience and professional jury votes.
The European Broadcasting Union, which organizes Eurovision, says the contest isn’t political (they turned down Ukrainian President Volodymyr Zelensky's request to speak at the finale), but in its almost 70-year history, politics have always found a way of creeping in.
Last Saturday’s Grand Finale was no exception. This year’s contest, held in Liverpool, England, was full of messages of unity and support for Ukraine, who could not host Eurovision after winning in 2022 because of the Russian invasion. GZERO traveled to two very different Eurovision watch parties—one in the heart of New York City and one in an undisclosed location on the outskirts of Kyiv—to see how politics and pop music come together for fans around the world.
"Just to see so much solidarity and so much diversity of thought and backgrounds embracing Ukraine through the power of music is very encouraging,” said Maxim Ibadov, the National Coordinator of RUSA LGBTQ+ and organizer of the NYC event, “Because Ukraine has beautiful culture and I’m so happy it’s being celebrated.”
Watch the upcoming episode of GZERO World with Ian Bremmer on US public television, airing nationwide. Check local listings.
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